“Dreams” is a game of ornaments and meanings, a collaboration between designer Daria Vasilkova and illustrator Daria Rostovtseva. A variety of characters and elements from Russian fairy tales is united by a monochrome blue-and-white palette, inspired by the Portuguese azulejo technique. - short description
The collection consists of 50 unique prints, divided into two parts: “Dream One” and “Dream Two,” which make up two square meters of tile. The buyer can choose one of the “Dreams” sets, but not a specific print. The uniqueness of the collection lies in the fact that the tiles do not need to be specifically joined with each other to obtain a complete image of a particular character. Like fragmentary elements of a dream or a memory, the prints create an image where the main thing is not completeness, but mood.
Dreams “trigger” the work of the subconscious, allowing memory to latch onto both characters of the Russian fairy tale and fragments of architectural and decorative styles encountered in trips through Russian cities and familiar to us since childhood.
The variety of elements is united by a monochrome blue-and-white palette, inspired by the Portuguese azulejo technique, which looks organic and impressive in an interior, accentuating the use of tile. Thus, conceptually, the collection goes beyond the scope of the Russian style to a European level.
The collection consists of 50 unique prints, divided into two parts: “Dream One” and “Dream Two,” which make up two square meters of tile. The buyer can choose one of the “Dreams” sets, but not a specific print. The uniqueness of the collection lies in the fact that the tiles do not need to be specifically joined with each other to obtain a complete image of a particular character. Like fragmentary elements of a dream or a memory, the prints create an image where the main thing is not completeness, but mood.
Dreams “trigger” the work of the subconscious, allowing memory to latch onto both characters of the Russian fairy tale and fragments of architectural and decorative styles encountered in trips through Russian cities and familiar to us since childhood.
The variety of elements is united by a monochrome blue-and-white palette, inspired by the Portuguese azulejo technique, which looks organic and impressive in an interior, accentuating the use of tile. Thus, conceptually, the collection goes beyond the scope of the Russian style to a European level.
